Stage Design Department MFA 2019 in stage design
Curator: Tan Zeen
Name: TANGXIN DADDY
Author: Bai Yuena
Playwright: Zhou Sujie
Director: Zhu Yixing
Advisor: Han Sheng
In this tilted stage form, there is only one high point, and the person who occupies it naturally has a psychological advantage. I treated the ground as a reflective mirror so that the reflection of the image is distorted. Glass is a tangible and intangible material, and the change of light can also play the effect of mirror reflection. Together with the mirror board on the ground, it creates a fragile texture, as if there is a sensitive and fragile relationship between father and daughter. I tried to enclose a space with four pieces of glass on the sloping ground. This transparent space belongs to my daughter. The opening and closing of glass is the externalization of her psychological state. It also represents the estrangement between father and daughter: the father wants to touch his daughter, but is cut off by a transparent wall; The daughter hides in her own world, but still watches her father’s every move through the glass.
